3.711 file audio bebas royalti untuk "Demodulation And"

King Numpty and his Knights (Part 1) by TRG Banks

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Home Sweet Home

Harmonic Scale chromatic on C.

Variant of the Habanera rhythm.

Ivor's Shop by TRG Banks

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Lifeling by TRG Banks

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Habanera rhythm.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

Phrase segments in Beethoven Opus 68 I

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

Rumba Clave Pattern in triple time.

Holberg Suite, prelude, bars 1-2, piano version

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Wohlbekannte Melodie mit Oktavsprüngen

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Melodie.linear + Melodie.salical gleichzeitig

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

6/8 clave, second form (son clave)

langsamere Variante der authentischen Kadenz

3-2 Son Clave Pattern in duple time.

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Standard bell pattern.

Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.

Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.

clave pattern in 5/2

clave pattern in 7/4

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Franck Violin Sonata first movement, bars 1-8

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.